There was some beautiful playing again today - and some exciting risk taking!
I’ve just created a couple of backing tracks for Over There which you might find useful.
Over There (backing1) does four cycles of the regular chords and then two cycles of some ‘tweaked’ chords (see below) before finishing with two more cycles of the regular chords again, plus the backing line (featuring some dodgy singing from some bloke…) The so-called ‘tweaked’ chords feature the two variations we discussed today: adding #5 to the first chord in bar 3 and adding 13, b9 and b5 to the first chord in bar 4. I have also put in various 7ths and the occasional 9th. All of this stuff happens at different points during the Terence Blanchard recording (I haven’t just made it all up!!)
Over There (backing2) does just four cycles of the ‘tweaked’ chords
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The ‘tweaked’ chords in concert are as follows:
|| G∆ A/C# | G∆/B A7 | G∆#5 Em9 | A13b9b5 D/F# ||
NB G∆#5 could be notated as B/G
A13b9b5 could be notated as Ebm/A
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The ‘tweaked’ chords in Bb are as follows:
|| A∆ B/D# | A∆/C# B7 | A∆#5 F#m9 | B13b9b5 E/G# ||
NB A∆#5 could be notated as C#/A
B13b9b5 could be notated as Fm/B
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The ‘tweaked’ chords in Eb are as follows:
|| E∆ F#/A# | E∆/G# F#7 | E∆#5 C#m9 | F#13b9b5 B/D# ||
NB E∆#5 could be notated as G#/E (or Ab/E)
F#13b9b5 could be notated as Cm/F#
Mark
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