this composition by Don Grolnick has a number of unusual features,
hopefully of interest to us as improvisers and composer/arrangers.
- form of the head: A A B (actually Steps Ahead play A A A B )
- two different solo sections: Solo Section 1 and Solo Section 2
- melody in the bass (during A)
- lots of space in the melody (held together by the sustained notes/chords)
- rhythm: based on even quavers (funk groove) plus some crotchet triplets
- rhythm: use of rhythmic stops in second half of Solo Section 1
- harmony: unexpected use of dominant chords with ‘natural 13’ (rather than ‘b13’) resolving to minor – eg C13b9b5 Fm11 rather than C7b13b9 Fm11
- harmony: use of diminished scale (half-whole), also called 8 note dominant, on many of the dominant seventh chords
The
melody is challenging harmonically and rhythmically (it would sound
great arranged for our line-up). The solo sections are simpler by
comparison – this gives the piece a sense of overall balance.
I
would have liked to have spent more time on the solo sections in our
session – there’s lots to explore here. If you are interested to do some
more improvising on this piece then you’ll find various backing tracks
in the Dropbox (including a sneakily-edited ‘live’ version which
features our very own rhythm section of Alice, Stuart, Nick, Terry and
Charlie – great groove playing!)
Next week it’s over to you. There’s loads of lovely material coming in – keep at it, the more the merrier
Ideally
we need copies of your piece (even if it is ‘work in progress’) written
out for C treble instruments (piano, guitar, voice) Bb instruments (up a
tone) and Eb instruments (up a sixth). Bass clef copies would be nice
for the trombones and bass as well.
If you can send me stuff in advance that would be useful (but not essential).
Spring Term – block 2, week 2 (19.04.13*)
Spring Term – block 2, week 2 (19.04.13*)