Week 11 30-01-15
Rope’n'Tackle and Visions
The focus for this week’s session was improvising over the six scales used in Visions.
To help keep in place I suggested playing simple two bar phrases (two
on each scale). This can mean you end up always starting a phrase on the
first beat of every other bar (all the odd numbered bars in fact, ie
bar 1, bar 3, bar 5 etc). To get away from this predictability you might
experiment with playing different length phrases (eg a one bar phrase,
or a three bar phrase, etc) and starting on different places in the bar.
Playing phrases which go over two scales can sound good but you need to
be sure in your mind what scale your about to go to (and of course when
to change!) In a piece like this there is also scope for
deliberating ‘blurring" the transitions, either by anticipating or
delaying the change of scale. Try leaving say three bars empty and then
starting a two or three bar phrase in the fourth bar. Where do you end
up?
Next
time I would like to spend part of the session exploring ideas on
‘rhythmic playing’ (Steve L brought this up). There are a number of ways
we can approach this. If you haven’t done so already, try improvising
over these scales with a metronome set to 120 bpm. Later, change the
beat to 60 bpm (so it is marking minims) and if you’re feeling really
courageous try 30 bpm (marking the bars).
I would also like to take a brief moment to think about sound and texture, in the context of this piece.
Your ‘optional’ home assignment is to listen to the full version of Visions (in the Dropbox labelled "Visions (MBTS).mp3”) and work out what chord/scale sounds are being used in the intro section, before the tune comes in.
Next week I also hope to make time for a final play through of Rope’n’Tackle plus a quick mention of 5-part 'big band style' block writing (I’ll put a sketch score in the Dropbox).
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